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Tag: television review

[Doctor Who Review] Listen

listen
Don’t turn round.
This is the episode that horror writers/directors should watch to see the tension get wretched up without the cheap thrills, blood or music. Written by Stephen Moffat it takes it’s themes from Don’t Blink and Silence in the Library without the use of the Angels that have become the Borg to the Doctor’s Enterprise.
Listen begins with Doctor positing a theory: Are we actually alone when we talk out loud or do we have a companion? He does this by himself in the TARDIS. Writing things down and pacing around the set. Capaldi nails it like Tennent would’ve while Smith probably wouldn’t have nailed the dismount.
I know some Smith fans may not want to hear this but the Doctor on a caffeine high has left the building. I hope a Neil Gaiman Capadi episode but it doesn’t look like that’s gonna happen this season.
While the Doctor sets the mood, Clara and Danny Pink have a first date. The date doesn’t go well and Clara comes home to find the Doctor and the TARDIS occupying 3/4 of her bedroom.
In the post haze of the bad date, the Doctor uses the TARDIS to focus on Clara’s timeline and pop back to see where Clara had that dream everyone has about something under the bed. Except, instead of Clara’s timeline we get to Rupert Pink and soon find out that yes, there probably is something under the bed and all it takes is a bed sheet, Capaldi and good direction and we get a successor to Blink.
But, it doesn’t stop there. Clara asks to go back to the date and retry with Danny until Clara name drops Rupert and everything implodes again because Danny is Rupert. It implodes even more when the orange spaceman suit walks into the restaurant and motions Clara to follow him.
It’s at this point no one gets up and demands to know why, this is Cardiff after all, the populace is so desensitized to the Doctor’s shenanigans that no one blinks at the strange. Torchwood should’ve been like this: Oh, more alien crap, thattaway, Torchwood and go back to their tea.
The man in the spacesuit isn’t the Doctor but Orson Pink and the Doctor found him 100 years into Clara’s timeline, they launched him into space and he promptly got Buck Rogers and now he’s the last man in the universe but he’s not alone.
Once Orson saves the Doctor, Clara tries to fix things and goes back down the timeline and lands in a barn and gives a crying child a good speech about the things that go bump in the night. The barn didn’t make sense at first until we find out why. The why was nicely done and I won’t ruin it here but it’s a great call back that I didn’t see coming and it really worked.
Clara’s dialogue with the new Doctor continues to be a highlight while she gets her history filled in even if it’s possible future.
Danny’s soldier days while not big speed bump like they were in Into the Dalek is better this time round. I think he’ll make a good addition to the companions once we see him in action and not him as a child or his great grandson.
It was a good episode all around and highly enjoyed it.

[Doctor Who Review] The Robot of Sherwood

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For everyone who complained (not me) about episodes 1+2 being off and Episode 3 being back on track were half right.
Episode 3 is a classic Doctor Who historical episode.
Clara makes a request to go see a fictional character and while the Doctor tries to dissuade her, she puts down her foot and we return to Nottingham, 12th century and are instantly greeted by Robin Hood much to the Doctor’s annoyance.
The tropes are there, Doctor and Robin fight on a bridge, each man besting each other. #3’s fencing comes in handy, although not as one might expect. The Merry Men are all introduced and the Sheriff while not as menacing as Alan Rickman, he’s still wants power and is willing to do anything to get it.
And they all fight with English accents. Ha za!
As always something is wrong and the Doctor begins looking for it within the men then the environment and finds it when as the tale goes, Robin walks into a trap and the Sheriff unleashes his robotic knights and thus begins our trip down the rabbit hole to figure out: 1. Is Robin and the Sheriff robots? 2. Why is the Sheriff taking all the gold? 3. Robotic knights with cross lasers in their foreheads?
The fact Robin and the Doctor don’t get along is better than expected. Most of the time, the Doctor and his new friends generally get along well but the constant back and forth between him and the Earl of Loxley was refreshing. All the while, Clara can’t stand any of it since the Doctor’s normal plan is to use his now stolen sonic screwdriver.
I’ve been enjoying Capaldi since episode 1 and this episode felt right on the money. No picking up Clara, just straight into the story. Tardis arriving shot and the whole nine.
Clara gets a bit more to work with besides the added tae kwon do (which makes great sense with all the adventuring) when she’s interrogating the Sheriff of his plans. Thankfully, he’s not a robot because we’ve had that trope before and it’s been done to death.
The robots from episode 1 make a re-appearance but not as clockwork as they were before and we’re given enough backstory that they landed here from the 29th Century headed to The Promised Land to make repairs to the engines and forged an alliance with the Sheriff.
The Doctor rallies the prisoners in the Sheriffs dungeon and destroys most of the robots in the simplest fashion for the time without his sonic screwdriver.
The only thing missing is Missy and not welcoming the Sheriff to The Promised Land but we don’t want to repeat ourselves from last episode.
Overall, great episode. Throughly enjoyed it.

[Doctor Who Review] Into the Dalek

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(Image courtesy of David Catterall)
The carry over from the Matt Smith years continues with the Doctor in the beginning of his journey only to have to pick Clara up from school before dashing off to face down the pepper shakers of doom.
The ole’ Daleks are back! Ha za! No more Skittle colored Daleks to be found! No Devros. No Emperor Dalek. No eye stalks coming out people’s heads. No creep factor that was Asylum of the Daleks. Instead, we do actually go to the most dangerous place in all the universe.
Taking place on a human ship hiding in an asteroid belt from the Daleks, the Doctor rescues, Journey Blue played by Zawe Ashton just as her space ship is about to be blown up and returns her to her uncle, Col. Morgan Blue played by Michael Smiley on board the aforementioned spaceship, Aristotle and is greeted by an imprisoned Dalek that cares.
Meanwhile, Clara is introduced to Danny Pink played by Samuel Anderson, a former soldier who from most reports will be another companion this year. Danny isn’t dragged along this time and is left for most of the episode so the Doctor, Clara, Journey and 2 red shirts can be micronized into a Dalek to see what’s wrong with it.
Yep, it’s Doctor Who meets Fantastic Voyage (which oddly enough hasn’t been remade, yet).
The interior of the Dalek is a fun set piece. It may look like people climbing through a big computer. But anything with roving eyes that act as anti-bodies is pretty creepy cool. It feels more real than the dungeon set piece from Deep Breath.
The Daleks and the Doctor may have been enemies before but since the Time War it’s gotten worse. Once the Dalek’s problem is fixed it goes back to the same ole’ Exterminate routine and the solution to the problem works until the Doctor goes one step further and we get a similar problem to The Fourth Doctor’s situation in The Face of Evil. Kids, never imprint your 900+ year old brain onto anyone, m’kay?
The conclusion feels foreboding enough and one might wonder if the Doctor’s hatred will cool because of this or if two angry people are going to their separate corners of the universe only to come back for a rematch.
Capaldi continues to handle things well. He’s a bit sharp around the edges which is both good and bad. His treatment of the red shirts and women in particular does need a bit fine tuning to say the least. Most of the time he’s great then sometimes you have to wonder why the writers typed that in.
Thankfully he’s surrounded by strong women this episode and more than once gets slapped and pushed against the wall demanding to know why he just let someone die after giving them false hope.
Journey tries to hop a ride but the Doctor turns her down due to her tenancy to shoot first and ask politely later. If and when the next companion slot opens up, I hope they’d return to the character to see if she’s changed.
The ongoing plot thread for this season is Missy. First introduced in last weeks episode and welcoming the antagonistic robot to the “promised land”, she welcomes one of the red shirts to “Heaven” and offers her tea.
So who is Missy, exactly? Theories are running the gamut from Rani to TARDIS to Master. I’m happy we’re getting something. The last season with the Great Intelligence wasn’t so great and lack any emotional punch or set up. The Doctor does need an ongoing plot in the background to keep things interesting from a crack in the wall to John Saxon.

[Television Review] Extant (minor spoilers)

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Extant on CBS is SyFy’s Helix for women. Minus the vampire vectors and the black goo.
It stars Halle Berry as an astronaut, Molly Woods in space on a 13 month mission when suddenly, something happens!
Back on Earth she re-adjusts with her inventor husband and their robot child she until the NASA doc played by Camryn Manheim tells her some news: she’s pregnant!
But how can this be? She can’t have kids!
Meanwhile, her superiors have a shadowy boss played by Hiroyuki Sanada who played a shadowy boss on Helix.
Meanwhile, her hubby happily shows off his learning robot child until someone during the demonstration bluntly asks: And what’s the contingency if they all go Skynet on us? He blows a gasket since this robot isn’t a robot it’s a child.
But it turns out everything will be fine due to shadowy boss is going to fund the hubby’s research privately, shadowy.
Meaneahile, someone is lurking in the ever concealing shadows outside their home and it turns out to be . . .
Sorry, I won’t ruin the entire pilot.
Mostly due to we’re running out of tropes to use.
I didn’t catch The Astronaut’s Wife, so I can’t make comparisons . . .
Having said all this, I enjoyed Extant so long as I ignore the use of flashbacks the began and started with a iris in and out and ignore the fact they didn’t open the show with the inciting event that should have kicked off the show.
The space station set was nicely done. The rotating ring to zero-G was perfect. And the inciting event was very . . . Contact comes to mind.
Yes, I’m backseat writing.
Backseat writing meaning: Hook your audience in the first 5 minutes. You want edgy but not bloody edgy. You want fun without the technobabble.
I wanted a linear plot and I got a show with flashbacks that were completely unneeded.
Sci-Fi is my bread and butter. I’d watch a show like this, The Last Ship and Leftovers until the end even if there are clunker episodes because those shows are still better than what’s on network television.
If this show had been on AMC, FX or SyFy, Halle would’ve been in a rubber room ala E.T. or The Stand.
And that’s the widening gulf that shouldn’t exist between network and cable television shows.